OPTICAL
PHENOMENA IN GEMS
Optical
phenomena encompass the light-dependent properties of a gem, which
are not due to its basic chemical and crystalline
structure, but rather, due to the interaction of light with certain
inclusions or structural features within the gem.
Major
Optical Phenomena in Gemstones :
- Iridescence,
including:
- Orient
- Labradorescence
- Play
of color
- Adularescence
- Aventurescence
- Chatoyancy,
including:
- Simple
chatoyancy
- Cat'seye
effect
- Asterism
- Color change
Iridescence
:
This phenomenon is seen as a multicolored, surface effect. It is
caused by diffraction. As white light passes through very small
openings such as pores or slits, or through thin layers of material
which differ in refractive index, a prism effect causes it to separate
into spectral colors. These may then be seen on the surface, or
in some cases in the interior, of the material. Iridescence is responsible
for the everyday observations of the spectacular colors seen in
the metallically shimmering neck plumage of male Mallard ducks,
peacocks and some hummingbirds, or as light catches the surface
of a soap bubble.
When
combined with interference, where the slightly out of phase color
waves bouncing off different layers overlap as they reflect, a loss
of some colors and a reinforcement of others can take place giving
rise to dramatic color blocks, which may shift with viewing angle.
Iridescence
is the most widespread of the optical phenomena, we see its effects
in: the "orient" of pearls, the displays of fire agate,
"rainbow calcite", certain obsidians, and iris agate.
It also creates the rainbow display of fractures, the beautiful
colors of Labradorite, and, probably most well known, the "color
play" of precious opal.
Pearls :
The "orient" of pearls, is a delicate, shifting, iridescent
color layer that is distinct from the basic body color of the pearl
or from its luster. Both luster and orient are a function of the
thickness and perfection of the layer of nacre on the pearl's surface.
Nacre is composed of thin plate-like layers of aragonite (CaCO3)
crystals accounting for over 90% of its weight, along with conchiolin
protein, and water. Although most pearls have that characteristic
"pearly luster", only fine quality pearls have orient.
It can also be present in the "mother of pearl" lining
of shells, and is especially vivid in the shells of some species
of abalone.
Baroque
freshwater Cultured Pearl
Cultured
Tahitian Black Pearl
Abalone
Shell Doublets
Fire Agate :
The aggregate quartz gem known as fire agate, gets its iridescence
from thin coatings of iron oxide (limonite) layered over its botryoidal
chalcedony surface. The best specimens of this material can be
very striking, and will command some of the highest prices of
any aggregate form of quartz.
Fire
Agate Cabochon in a pendant
A
close up view of some Fire Agate colors
Ammolite
:
This gem is the result of the fossilization of extinct, shelled
mollusks, called ammonites. Although many ammonite fossils are
found, only a certain type from a restricted area in Canada shows
the iridescent effect, which has preserved, and enhanced, the
thin, tablet-like aragonite crystal layering of the shell. Although
delicate, and not suitable for some jewelry uses, the gem has
many admirers and top quality pieces will fetch high prices.
The
thickness of the preserved layers controls the colors that will
be seen. Thicker layers produce red or orange colors, and thinner
ones, the blues and violets. Due to the fragility of the thinnest
layers, specimens with blue or violet color are especially rare
and costly.
Specimen
with rare blue and violet colors
One
with the more commonly seen red
10x
view of green, blue and red iridescence on an ammolite
Phenomenal Obsidian :
Most obsidian is pretty plain looking, in mostly drab shades of
brown and black. Certain types, however, display iridescent patterns
due to dense congregations of minute suspended inclusions that act
like diffraction gratings. Fanciful trade names like "velvet"
or "rainbow" obsidian are used to market these lovely
gems.
Rainbow
Obsidian Cab
Rainbow
Obsidian cut as a "cat's eye"
Velvet
Obsidian
Fractures/Cleavages
:
As noted in the lesson on magnification, an internal cleavage can
give evidence of its presence by a "cleavage rainbow".
The picture below, showing impressive iridescence, is a magnified
view of a very thin conchoical fracture in a gem.
Conchoidal
fracture in Aquamarine
There
are other cases, where rather than revealing a defect, the presence
of microscopic fractures or cleavages is responsible for the beauty
of a particular gem. Two examples which are admired by collectors
are known as "rainbow calcite" and "iris quartz".
Rainbow Calcite
Iris
Quartz
Iridescence
due to internal micro-cleavages
Labradorescence
:
This phenomenon is a type of iridescence caused by repeated, microscopically
thin layer (lamellar) twinning in Labradorite feldspar. One of its
most notable characteristics is that the twinning is quite specifically
oriented within the crystal, making the iridescent display highly
directional. (Another is that it is seen in only this one species.)
At some angles the light encounters no thin layers and no effect
is seen, in other directions of view we see a bright blue, gold,
green or multicolored surface. Looking at the sample of Labradorite
rough pieces below you can see that only some of the "faces"
are showing color at the angle at which they were photographed.
The finest pieces have strong displays which skilled cutters take
care to orient to best advantage for the face-up view. The lovely
cabochon pair and brooch below show how bright and attractive the
display can be, but if they were turned to a different angle, that
beauty would temporarily be lost, only to return again as the pieces
were moved in another direction.
Labradorite
Feldspar Rough
Labradorite
Cabochons
Labradorite
Brooch
Play
of color :
Iridescence in precious opal is correctly called "play of color"
or "color play". The incorrect term "fire" is
often misused instead recall from Lesson 4 that "fire"
is an acceptable synonym for dispersion. But, at least in this course,
it is not an acceptable synonym for "play of color". What
is taking place in opals, is not dispersion, but iridescence. We
divide all opals (a huge group of gems) into precious and common,
based on whether they have color play, or not, respectively.
Black
Opal
Precious
Mexican Opal
White
precious Opal pendant
Matrix
Opal
Contra
Luz Opal (a rare type with a different display of colors in reflected
versus transmitted light)
Play
of color is seen as shifting patches of spectral colors on the gem's
surface and/or in its the interior. This phenomenon is caused by
the unique ultrastructure of the opal. The graphic below represents
an interior view of opal at 25,000X via the electron microscope.
Opal is made of spheres of cristobalite silica, SiO2(a polymorph
of quartz). These are arrayed in closely stacked layers and have
air, or more rarely, liquid, in between them. (To picture something
similar on a larger scale, think of a crate of oranges with the
fruit neatly arrayed into rows.) The openings act as diffraction
gratings which split the light into colors, and the layered structure
creates interference. As the light is reflected from the various
layers the, now slightly out of sync waves overlap, decreasing or
removing certain spectral colors, and reinforcing others. Thus,
we get a shifting group of colors which flicker on and off, and
move as we twist and turn the gem altering the light path and viewing
angle. Which colors are seen is a function of the size and regularity
of the spheres (with smaller spheres more blue is seen, with larger
ones more red) and of our angle of view.
25,000x
magnification of the structure of Opal
In
common opal, the openings between the spheres are so large that
light doesn't have to bend when traveling through them, so that
no diffraction takes place. Rather, the scattering and bouncing
of light off the inner particles creates a sort of hazy effect commonly
known as "opalescence". (Actually, opalescence is an example
of another phenomenon called adularescence, see below.)
Yellow
common Opal showing typical Opalescent Haze
Man-made
Iridescence :
Taking a clue from Nature, humans have deliberately applied thin
coatings or films of various kinds to the surfaces of gems to create
iridescence. Although fragile, and to some tastes, a bit gaudy,
these gems are popular. Two examples are the various iridescent
topazes, the most common of which goes by the trade name "Mystic
Topaz", and "titanium" drusy. In each case, a natural
gem (a topaz or a quartz drusy) is coated with a microscopic layer
of material (usually metallic) which creates the effect.
Mystic
TopazTM
Titanium
Drusy
Adularescence
:
When a gem displays a billowy floating light which appears to come
from below the surface it is showing adularescence. The name comes
from the most prominent gem displaying the phenomenon: moonstone,
known historically as "adularia". The term "shiller"
or "schiller" is sometimes used to describe the light.
Moonstone :
In moonstone, adularescence is due to a layer effect, where thin
inner strata of two types of feldspar intermix, (exsolution regions
of sodium feldspar in potassium feldspar). These layers scatter
light either equally in all spectral regions producing a white shiller,
or as in the most valuable specimens, preferentially in the blue
or the blue and orange. As in so many cases of optical phenomena
the size or distance from layer to layer influences the colors we
see.
Adularescence in moonstone : white, blue and rainbow moonstones
Adularescence
in other species :
In other gems, the scattering shows up in a less dramatic form due
to minute inclusions that scatter multiple wavelengths of light
. In certain quartzes and opals, golden shifting light can be seen
in the interior, which is sometimes called the "girasol"
effect.
Girasol
Opal and Agate
This
general scattering of light, often is not distinctive, but rather
shows up as subtle haziness, as in the case of the opalescence of
common opal. Frequently we see the term "milky" used to
describe individual specimens of a usually non-hazy species which
show this type of adularescence. An exception is rose quartz which
is virtually always hazy, so it doesn't need a special adjective,
like milky, to distinguish it.
Opalescent
Haze in common Opal
Milky
Quartz with Pyrite inclusion
Milky
Aqua
Rose
Quartz
Aventurescence
:
Unlike the other phenomena discussed so far which owe their beauty
and distinctiveness to structural features which diffract or scatter
light, aventurescence is a consequence of reflection. When disk
or plate-like inclusions of another mineral are present, and are
of a highly reflective nature such that they act as tiny mirrors,
the gem sparkles and glitters. This glitter is called aventurescence.
The term shiller, is also sometimes used to describe this spangly
glow. The most common reflectors are copper, hematite and mica.
The name
is derived from the Italian word for "chance" or accident,
and has no "d" in it! Quite frequently, even among those
who should know better (like shopping channel hosts), the word
is mispronouced as "adventurine". The most commonly
encountered species showing this effect are certain feldspars
and one variety of quartz.
Shiller Sunstone (copper platelets in feldspar)
Aventurine Quartz (mica platelets)
"Goldstone",
a man-made aventurescent glass with copper particles deliberate
ly
added to it, has been an inexpensive and popular gem imitation since
Victorian times, and remains commonly in use today.
Goldstone
Glass in a Victorian brooch, Circa 1880
Goldstone
Glass in a contemporary pendant
Chatoyancy
:
This phenomenon is also due to reflection, but in this case, rather
than involving plate-like inclusions scattered randomly, it is due
to parallel thread-like reflective inclusions such as needles or
tubes. When the inclusions are either not highly organized, or the
gem is not cut in such a way as to concentrate or focus the light
from them, we see a silky glow called simple chatoyance.
Simple
chatoyance :
Tiger's Eye is the most common gem that displays this phenomenon.
Most pieces are a yellow to light brown color, but enhancements
can create reds or other colors, and a naturally occuring variant
called Hawk's Eye has a grey-blue to greenish color.
Less
familiar to many, but greatly admired for their displays of chatoyance
are the purple Charoites and the silvery grey serefinites.
Corundum
often contains rutile needles but frequently they are not abundant
or organized enough to produce a star gem, and instead show up as
a general silky glow, as seen in the ruby and sapphire carvings
below.
Tiger's
Eye
Charoite
Serefinite
Ruby
in Zoisite
Sapphire
The cat'seye effect :
When the reflective fibers that create chatoyancy are aligned within
a single crystal axis, and when the gem is properly oriented and
cut as a domed cabochon, the reflections concentrate into a single
band of light on the dome known as an "eye". Viewing this
phenomenon is easiest with a single overhead source of light like
sunlight, or a spotlight or penlight, and less successful with multiple
light sources, or in dimly lit surrroundings.
The pictures below show a close up of the parallel growth tubes
in a rubellite tourmaline and the effect seen in that gem when it
is viewed with proper lighting.
Parallel
growth tubes in a Rubellite
Gem
displaying its Cat's Eye
Cat's
Eye gems have been popular throughout history, especially in the
Orient. Cat's Eye Chrysoberyl is the most valued of all, and it
has traditionally been given the honor of simply being called "Cat's
Eye", whereas all other types, technically require a species
modifier like: Cat's Eye Tourmaline, Cat's Eye Moonstone, etc.
Plain
Cat's Eye (chrysoberyl)
Cat's
Eye Moonstone
Fine quality Cat's Eye gems show some translucency, have a strong,
well centered and straight eye and "do tricks". By that
I mean :
1. With the light overhead, we see a strong eye
2. By moving the light source to one side and lighting the gem laterally,
we get the "milk and honey" effect, (one side light, one
side dark)
3. By using two lights and moving them from the center to the side,
the eye will split into two bands each of which follows one of the
light sources (opening and closing).
These
effects are shown in the pictures of the Cat's Eye (chrysoberyl)
gem below :
Cat's Eye tricks
Single
eye
Milk
and honey effect
The
beginning of the opening and closing effect as the single eye is
splitting into two
The
most commonly encountered cat'seyes are tourmalines, moonstones,
chrysoberyl and quartz. Below is a selection of some gems that are
extremely rare in cat's eye form :
Cat's
Eye Tanzanite
Zircon
Precious
Topaz
Asterism
:
This phenomenon is essentially a special case of the cat'seye effect,
where the inclusions responsible for reflections are oriented parallel
to more than one axis in the crystal. As with cat'seyes, the stone
must be both properly oriented, and cut in a high dome to display
the star.
Depending
on the nature of the inclusions and the crystal system of the host,
a four or six rayed star will generally be displayed. By far, the
most common star stone species is corundum, with quartz a distant
second. Stars are relatively rare in other species.
Ruby
Sapphire
White
Sapphire
Rose
Quartz (6 rayed)
Moonstone
(4 rayed)
Color
change :
A color change gem is one whose color is substantially different
when viewed with an incandescent light source as compared to its
color as seen under daylight or a daylight equivalent fluorescent
source. Due to this phenomenon's strong association with the Alexandrite
variety of chrysoberyl, it is sometimes termed the "Alexandrite
effect", regardless of which species is displaying it.
Distinct from pleochroism, where the direction of view causes the
color difference, true color change stones do not change color with
a shift in viewing axis, but only with a change in light source.
Due to their distinctive chemistry, stones which show this effect
have very strong selective absorption in those regions of the spectrum
where the two light sources differ most (that is, strong absorption
in both the red and the blue). Daylight is rich in blues and incandescent
sources are rich in reds so, although the stone could absorb both
strongly, there is little blue in incandescent and little red in
daylight to absorb. Hence we get different patterns of selective
absorption, and see different colors.
The
completeness of the change is usually designated by percentage,
for example, we might say that a particular stone shows a 70% color
change. Although natural stones rarely show a complete color change,
synthetic and simulant color change stones have been made which
create the effect very strongly.
In
addition to Alexandrite chrysoberyl, other species which are occasionally
found in color change forms are: sapphire, spinel, garnet, tourmaline
and diaspore.
Alexandrite
Incandescent
(blue-violet)
Day
light (teal)
Color
change tourmaline
Incandescent
(mauve pink) and Day light (purple)
Man-made
color change glass
"Tourmalike
rough : Incandescent (slightly orangey pink), daylight (slightly
brownish green)